Words at War The Contested Language of the English Civil War

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Format: Hardcover
Pub. Date: 2024-05-29
Publisher(s): Oxford University Press
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Summary

The English Civil War was not simply a conflict between two opposing, unstable, complicated alliances of various factions, but a war of words. Supporters of the King and allies of Parliament and the New Model Army clashed over ideals, ideas, and concepts as they each sought to impose their understanding of history and visions of the future, realizing that victory could only be secured by establishing a political and cultural language that would guide and direct those who used it. Accordingly, the Civil War witnessed vociferous arguments over many key English words central to life and thought in the seventeenth century, and often up to the present day. Words at War seeks to bring together scholars of literature, history, religion, and philosophy to analyse the ways in which key terms were deployed and debated in the Civil War and Commonwealth. In doing so it refocuses attention on ideas and concepts that shaped the modern world well beyond the bloody conflict on the battlefield.

Author Biography

Andrew Hadfield, Professor of English, University of Sussex,Paul Hammond, Professor of Seventeenth-Century English Literature, University of Leeds

Andrew Hadfield is Professor of English at the University of Sussex and a Fellow of the British Academy and the English Association. His books include Shakespeare and Republicanism; Edmund Spenser: A Life; Lying in Early Modern English Culture: From the Oath of Supremacy to the Oath of Allegiance; Literature and Class: From the Peasants' Revolt to the French Revolution; John Donne: In the Shadow of Religion; and Thomas Nashe and Late Elizabethan Writing.


Paul Hammond is Professor of Seventeenth-Century English Literature at the University of Leeds and a Fellow of the British Academy. His books include Dryden and the Traces of Classical Rome; Milton and the People; Milton's Complex Words: Essays on the Conceptual Structure of 'Paradise Lost'; and Tragic Agency in Classical Drama from Aeschylus to Voltaire. He is co-editor of The Poems of John Dryden, Five Volumes and editor-in-chief of a new Longman Annotated English Poets edition of The Complete Poems of John Milton.

Table of Contents

Notes on ContributorsIntroduction, ANDREW HADFIELD AND PAUL HAMMONDPart I: God and Providence1. God in Scripture Study Aids, KATRIN ETTENHUBER2. God in Hobbes, VICTORIA SILVER3. Providence in Browne, MATTHEW AUGUSTINE4. Providence in the Letters and Speeches of Oliver Cromwell, N. H. KEEBLEPart II: Freedom and Servitude5. Freedom in Early Quaker Tracts, N. H. KEEBLE6. Slavery in John Taylor, PHIL WITHINGTON7. Freedom in the Cavalier Poets, NICHOLAS MCDOWELLPart III: Nature and Law8. Nature and Natural Law in Radical Writers, ANDREW HADFIELD9. Law in Clarendon, PAUL HAMMOND10. Nature in Cowley, GILLIAN WRIGHT11. Nature in Lovelace, ANDREW HADFIELDPart IV: King and People12. The People in Marvell and Cavendish, NIALL ALLSOPP13. The King in the Parliamentary Debates of 1657, ALICE HUNT14. The People in Royalist Women's Writing, RUTH CONNOLLY15. The King and the People in the Newsbooks, JACK AVERYPart V: Conscience and Virtue16. Conscience in Marvell, STEWART MOTTRAM17. Conscience and Nation in Milton 1640-1660, ELIZABETH SAUER18. Virtue and Defeat in Davenant and Cowley, CHRISTOPHER TILMOUTH19. Virtue in Milton, PAUL HAMMONDPart VI: Legacy20. Checks and Balances: The Birth of a Vocabulary, BLAIR WORDENBibliographyIndex

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