Summary
The Grapes of Wrathis generally considered Steinbeckrs"s masterpiece, but the short novel was the form he most frequently turned to and most consciously theorized about, and with constant experimentation he made the form his own. Much of the best-and the worst-of his writing appears in his short novels. This collection reviews what has been categorized as the "good" and the "bad," looking beyond the careless labeling that has characterized a great deal of the commentary on Steinbeckrs"s writing to the true strengths and weaknesses of the works. The contributors demonstrate that even in the short novels that are most often criticized, there is more depth and sophistication than has generally been acknowledged. The essays examine the six most popular short novels-Tortilla Flat, The Red Pony, Of Mice and Men, The Moon Is Down, Cannery Row,andThe Pearl-in addition to the three usually thought of as less successful-Burning Bright, Sweet Thursday,andThe Short Reign of Pippin IV.Because most of Steinbeckrs"s short novels were adapted and presented as plays or screenplays, many of the essays deal with dramatic or film versions of the short novels as well as with the fiction. The collection concludes with a comprehensive checklist of criticism of the short novels.Contributors.Richard Astro, Jackson J. Benson, Carroll Britch, John Ditsky, Joseph Fontenrose, Warren French, Robert Gentry, Mimi Reisel Gladstein, William Goldhurst, Tetsumaro Hayashi, Robert S. Hughes Jr., Howard Levant, Clifford Lewis, Peter Lisca, Anne Loftis, Charles R. Metzger, Michael J. Meyer, Robert E. Morsberger, Louis Owens, Roy S. Simmonds, Mark Spilka, John Timmerman
Table of Contents
Acknowledgments |
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ix | |
Introduction |
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1 | (14) |
My Short Novels |
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15 | (4) |
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I Tortilla Flat |
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Tortilla Flat and the Creation of a Legend |
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19 | (12) |
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Nonteleological Thinking in Steinbeck's Tortilla Flat |
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31 | (8) |
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II Of Mice and Men |
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A Historical Introduction to Of Mice and Men |
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39 | (9) |
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Of Mice and Men: John Steinbeck's Parable of the Curse of Cain |
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48 | (11) |
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Of George and Lennie and Curley's Wife: Sweet Violence in Steinbeck's Eden |
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59 | (12) |
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III The Red Pony |
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The Red Pony as Story Cycle and Film |
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71 | (13) |
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John Steinbeck's The Red Pony: A Study in Narrative Technique |
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84 | (11) |
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IV The Moon Is Down |
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Dr. Winter's Dramatic Functions in The Moon Is Down |
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95 | (6) |
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Steinbeck's ``European'' Play-Novella: The Moon Is Down |
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101 | (10) |
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V Cannery Row |
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Cannery Row: Escape into the Counterculture |
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111 | (8) |
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``Some Philosophers in the Sun'': Steinbeck's Cannery Row |
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119 | (13) |
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Cannery Row and Steinbeck as Spokesman for the ``Folk Tradition,'' |
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132 | (11) |
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VI The Pearl |
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The Shadow and the Pearl: Jungian Patterns in The Pearl |
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143 | (18) |
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Precious Bane: Mining the Fool's Gold of The Pearl |
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161 | (12) |
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Steinbeck's The Pearl: Legend, Film, Novel |
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173 | (12) |
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VII Sweet Thursday |
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Steinbeck's Version of the Pastoral |
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185 | (10) |
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Critics and Common Denominators: Steinbeck's Sweet Thursday |
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195 | (9) |
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Steinbeck's Bittersweet Thursday |
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204 | (13) |
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VIII Burning Bright |
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Burning Bright: The Shining of Joe Saul |
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217 | (17) |
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Straining for Profundity: Steinbeck's Burning Bright and Sweet Thursday |
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234 | (15) |
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IX The Short Reign of Pippin IV |
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Steinbeck's ``Deep Dissembler'': The Short Reign of Pippin IV |
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249 | (8) |
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The Narrative Structure of The Short Reign of Pippin IV |
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257 | (14) |
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X Overview |
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271 | (24) |
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Notes |
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295 | (20) |
Steinbeck's Short Novels: Comprehensive Checklist of Criticism |
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315 | (32) |
Contributors |
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347 | |