| Preface |
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vii | |
| PART ONE LITERATURE AND CRITICAL THINKING |
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1 | (18) |
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1 Literature and the Literary Canon |
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1 | (5) |
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2 Challenges to the Canon |
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6 | (8) |
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6 | (1) |
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2.2 The Boundaries of Poetry |
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7 | (4) |
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2.3 Television and Film as Drama |
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11 | (3) |
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14 | (5) |
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3.1 The Habit of Critical Thinking |
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14 | (2) |
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3.2 Critical Thinking and Popular Tastes |
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16 | (3) |
| PART TWO READING CRITICALLY |
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19 | (31) |
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19 | (10) |
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19 | (3) |
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22 | (4) |
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26 | (2) |
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4.4 Tips for the Physical Act of Reading |
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28 | (1) |
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5 Reading Fiction Actively |
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29 | (5) |
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34 | (10) |
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6.1 Example: Robert Frost |
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35 | (4) |
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35 | (1) |
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36 | (3) |
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6.2 Example: Shakespeare's Sonnets |
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39 | (11) |
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39 | (2) |
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41 | (3) |
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44 | (5) |
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49 | (1) |
| PART THREE UNDERSTANDING LITERARY LANGUAGE |
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50 | (50) |
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9 The Elements of Narrative |
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50 | (19) |
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51 | (2) |
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53 | (4) |
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57 | (2) |
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59 | (2) |
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59 | (2) |
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61 | (2) |
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63 | (4) |
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67 | (2) |
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69 | (1) |
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70 | (3) |
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73 | (3) |
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76 | (1) |
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11.1 Fiction Genres by Length |
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76 | (2) |
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78 | (2) |
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80 | (2) |
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12 Poetry Forms and Genres |
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82 | (1) |
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83 | (2) |
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12.2 Prosody and Poetic Diction |
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85 | (10) |
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95 | (1) |
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13.1 Dramatic Conventions |
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95 | (2) |
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97 | (3) |
| PART FOUR EXPLICATION AND ANALYSIS |
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100 | (1) |
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14 From Reading to Writing |
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100 | (54) |
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14.1 "Rules" for Good Writing |
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101 | (2) |
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14.2 Writing as a Process |
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103 | (1) |
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14.3 Topics and Assignments |
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104 | (2) |
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14.4 Asking the Right Question |
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106 | (3) |
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14.5 From Question to Thesis |
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109 | (3) |
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15 Formulating an Argument |
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112 | (2) |
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15.1 Developing Proof and Evidence |
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114 | (3) |
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15.2 Organization and Structure |
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117 | (5) |
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15.3 Introductions and Conclusions |
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122 | (2) |
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124 | (6) |
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16 Citing Primary Texts and Formatting Your Paper |
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130 | (1) |
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16.1 Citing Primary Texts |
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130 | (7) |
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16.2 Formatting Your Paper |
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137 | (3) |
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140 | (8) |
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148 | (2) |
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150 | (4) |
| PART FIVE SECONDARY SOURCES, RESEARCH, AND CRITICAL THEORY |
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154 | (1) |
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20 Research Methods in the Digital Age |
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154 | (104) |
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156 | (2) |
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158 | (4) |
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20.3 Evaluating Internet Sources: Can You Trust This Web Site? |
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162 | (2) |
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20.4 Quick Tips for Literary Research |
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164 | (3) |
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21 Reading Literary Criticism |
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167 | (1) |
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"Moving to the Girl's Side of 'Hills Like White Elephants'" |
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167 | (20) |
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22 Practical Advice for Reading and Evaluating Literary Criticism |
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187 | (3) |
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23 Plagiarism and Academic Honesty |
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190 | (3) |
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24 MLA Documentation Style |
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193 | (51) |
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24.1 Understanding MLA Documentation |
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194 | (1) |
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24.2 Works Cited Entries in MLA Style |
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195 | (7) |
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24.3 Sample Works Cited Page |
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202 | (1) |
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24.4 Sample Student Research Paper |
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203 | (4) |
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25 A Brief Introduction to Critical Theory |
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207 | (4) |
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211 | (3) |
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25.2 Psychoanalytic Criticism |
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214 | (6) |
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25.3 Deconstruction and Poststructuralism |
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220 | (6) |
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25.4 Feminist and Gender Criticism |
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226 | (8) |
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25.5 Cultural Studies and New Historicism |
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234 | (7) |
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25.6 Theory-Based Readings: Approaches to "Araby" |
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241 | (3) |
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26 Reading a Theory-Based Article |
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244 | (1) |
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"Untying Goblin Apron Strings: A Psychoanalytic Reading of 'Goblin Market'" |
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244 | (14) |
| PART SIX READINGS |
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258 | (1) |
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258 | (10) |
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268 | (4) |
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CHARLOTTE PERKINS GILMAN, |
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272 | (13) |
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285 | (10) |
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295 | (1) |
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"Hills Like White Elephants" |
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296 | (4) |
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"The Negro Speaks of Rivers" |
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300 | (1) |
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301 | (2) |
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303 | (4) |
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307 | (13) |
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320 | (2) |
| Glossary |
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322 | (12) |
| Credits |
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334 | (1) |
| Index |
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335 | |