Kathakali Dance-Drama: Where Gods and Demons Come to Play

by Zarrilli; Phillip B.
Edition: 1st
Format: Hardcover
Pub. Date: 1999-12-15
Publisher(s): Routledge
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Summary

Kathakali, the distinctive and colorful dance-drama of Kerala in southwest India, is brought to life for the first time in book form. During these performances heroes, heroines, gods, and demons tell their stories. One of the few books ever published on this genre the book explores kathakali's reception as it reaches new audiences both in India and the west, includes two case studies of controversial kathakali experiments, and explores the implications for kathakali on Keralan politics. The four plays included in this anthology, translated from actual performances into English, are: *The Flower of Good Fortune *The Killing of Kirmmira *The Progeny of Krishna *King Rugmamgada's Law Each play has an introduction and detailed commentary and is illustrated by stunning photographs taken during performances. A comprehensive introduction to kathakali stage conventions, make-up, music, acting, and training is alsoprovided.

Table of Contents

List of illustrations
ix
Preface xi
Acknowledgments xv
An `Ocean of Possibilities'
1(16)
part i performance in the kerala context
A Social History of Kathakali Patronage, Connoisseurship, and Aesthetics
17(22)
Kathakali Texts in Performance
39(26)
What Does it Mean `To Become the Character'?: Kathakali Actor Training and Characterization
65(36)
part ii plays from the traditional repertory
The Flower of Good Fortune (Kalyanasaugandhikam) Kottayam Tampuran
101(17)
Introduction
101(12)
Commentary
113(5)
The Killing of Kirmira (Kirmiravadham) Kottayam Tampuran
118(17)
Introduction
118(12)
Commentary
130(5)
The Progeny of Krishna (Santanagopalam) Mandavappalli Ittiraricha Menon
135(24)
Introduction
135(16)
Commentary
151(8)
King Rugmamgada's Law (Rugmamgada caritam) Mandavappalli Ittiraricha Menon
159(18)
Introduction
159(10)
Commentary
169(8)
part iii contested narratives: new plays, discourses, and contexts
For Whom is the King a King? Issues of Intercultural Production, Perception, and Reception in a Kathakali King Lear
177(19)
When Marx met Imperialism on the Kathakali Stage
196(10)
Afterword: Whose Gods, and Whose Demons Dance? 206(3)
Appendix: Kathakali Performances on Video 209(3)
Notes 212(19)
Bibliography and References Cited 231(11)
Glossary and Table of Transliteration 242(11)
Index 253

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