
Foundations of Music (with CD-ROM)
by Nelson, Robert; Christensen, Carl J.-
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Summary
Table of Contents
Preface | p. xi |
Use of the Computer | p. xviii |
Computer-Assisted Instruction: Contents and Log | p. xxiv |
Introduction | p. xxxiv |
Sound | p. 1 |
Pitch and Timbre; The Overtone Series | p. 1 |
Dynamics | p. 3 |
Computer Exercises | p. 5 |
Computer Exercise | p. 6 |
The Envelope; Articulations | p. 6 |
Music for Study | p. 8 |
Computer Exercise | p. 11 |
Exploring Sound at the Computer | p. 11 |
The Notational System | p. 12 |
Music in Western Culture | p. 12 |
Written Music | p. 13 |
Music-A temporal Art | p. 13 |
Notes and Rests | p. 14 |
Computer Exercise | p. 17 |
Written Exercises | p. 17 |
Letter-Names for Pitches | p. 20 |
Computer Exercise | p. 24 |
Registers of the Piano | p. 24 |
Computer Exercise | p. 25 |
Written Exercises | p. 25 |
Notation at the Computer | p. 26 |
Simple Meter | p. 28 |
Suggested Listening | p. 28 |
The Beat | p. 28 |
The Organization of Music into Meters | p. 29 |
Computer Exercise | p. 31 |
Written Exercises | p. 32 |
Rhythm in Performance | p. 33 |
Computer Exercise | p. 34 |
Counting Time in Simple Meters | p. 34 |
Computer Exercise | p. 36 |
Music for Study | p. 36 |
Music for Study: Counting with Rests | p. 40 |
The Use of Beams | p. 42 |
Written Exercises | p. 43 |
Computer Exercise | p. 46 |
Creating Rhythms at the Computer | p. 46 |
Composing Rhythmic Phrases | p. 46 |
Scales | p. 48 |
Half Steps and Whole Steps | p. 48 |
Computer Exercise | p. 49 |
Computer Exercise | p. 53 |
Computer Exercise | p. 55 |
Written Exercises | p. 55 |
The Major Scale | p. 56 |
Computer Exercise | p. 59 |
Written Exercises | p. 60 |
Key Signatures for Major Keys | p. 63 |
Computer Exercise | p. 68 |
Written Exercises | p. 69 |
Intervals in the Major Scale | p. 71 |
Names of the Scale Degrees | p. 73 |
Music for Study | p. 74 |
Creative Exercise | p. 78 |
Compound Meter | p. 79 |
Suggested Listening | p. 79 |
Computer Exercise | p. 83 |
Written Exercises | p. 83 |
Music for Study: Counting Compound Meter | p. 84 |
Classification of Meters | p. 88 |
Written Exercises | p. 90 |
More on the Use of Beams | p. 94 |
Written Exercises | p. 95 |
Written Exercises | p. 97 |
Establishing Meter Through Accents and Patterns | p. 98 |
Music for Study | p. 98 |
Exploring Rhythm and Meter at the Computer | p. 104 |
Written Exercises | p. 107 |
Computer Exercise | p. 113 |
Creating Rhythms at the Computer | p. 113 |
The Minor Mode | p. 114 |
Suggested Listening | p. 114 |
Use of Accidentals in the Minor Mode | p. 117 |
Computer Exercise | p. 118 |
Written Exercises | p. 118 |
Intervals in the Minor Mode | p. 121 |
Relative and Parallel Minors | p. 121 |
Computer Exercise | p. 123 |
Written Exercises | p. 124 |
Music for Study | p. 127 |
Modulation | p. 131 |
The Chromatic Scale | p. 132 |
Written Exercises | p. 133 |
Music for Study | p. 134 |
Creative Exercises | p. 137 |
Other Scales | p. 138 |
Modes | p. 138 |
Suggested Listening | p. 142 |
Pentatonic Scale | p. 144 |
Computer Exercise | p. 146 |
Exploring Other Scales at the Computer | p. 146 |
Creative Exercises | p. 146 |
More on Rhythm and Meter | p. 147 |
Syncopation | p. 147 |
Exploring Syncopation at the Computer | p. 148 |
Computer Exercise | p. 155 |
Rhythm in Jazz and Popular Music | p. 155 |
Music for Study | p. 156 |
Composing Rhythmic Phrases | p. 159 |
Intervals | p. 161 |
Seconds | p. 162 |
Exercises | p. 162 |
Thirds | p. 163 |
Computer Exercise | p. 163 |
Written Exercises | p. 164 |
The Perfect Intervals | p. 164 |
Written Exercises | p. 166 |
Sixths and Sevenths | p. 167 |
Inversion of Intervals | p. 167 |
Computer Exercise | p. 169 |
Written Exercises | p. 169 |
Compound Intervals | p. 170 |
Computer Exercise | p. 171 |
Alteration of Intervals | p. 171 |
Other Properties of Intervals | p. 172 |
Computer Exercise | p. 174 |
Written Exercises | p. 174 |
Music for Study | p. 175 |
Creative Exercise | p. 180 |
Chords and Harmony | p. 181 |
Triads | p. 182 |
Computer Exercise | p. 183 |
Written Exercises | p. 183 |
The Dominant Seventh Chord | p. 185 |
Computer Exercise | p. 185 |
Written Exercises | p. 186 |
Music for Study | p. 186 |
Texture and Inversions | p. 187 |
Written Exercises | p. 190 |
Computer Exercise | p. 191 |
Written Exercises | p. 191 |
The Primary Triads | p. 193 |
Nonchord Tones | p. 194 |
Exercise | p. 197 |
Simple forms | p. 201 |
Phrases and Cadences | p. 201 |
Music for Study | p. 205 |
Phrase Relationships | p. 206 |
Song Forms | p. 206 |
Examples for the Study of Form | p. 207 |
Form in Popular Music | p. 212 |
Harmonizing Melodies | p. 214 |
Creative Exercises | p. 216 |
Melodic Composition at the Computer | p. 217 |
Looking at Music | p. 218 |
What to Look for in a Score | p. 218 |
Computer Exercise | p. 220 |
Exercises for Practice in Reading Music | p. 221 |
Topics for Enrichment and Further Study | p. 240 |
World Music and Roots Music | p. 241 |
Synthetic Scales | p. 249 |
Computer Exercise | p. 255 |
Exploring Other Scales at the Computer | p. 255 |
Other Chords: Seventh Chords | p. 255 |
Computer Exercise | p. 256 |
Other Chords: Borrowed Chords | p. 256 |
Exercises | p. 258 |
Other Chords: Sixth Chords | p. 259 |
Written Exercises | p. 261 |
Looking at Music | p. 263 |
Creative Exercises | p. 265 |
Standard Chord Progressions | p. 270 |
Roman Numeral Chord Designations | p. 273 |
Glossary | p. 275 |
Indexes | p. 279 |
Table of Contents provided by Ingram. All Rights Reserved. |
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