Part 1 The Materials of Music |
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1 | (66) |
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Unit I The Elements of Music |
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1 | (32) |
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1 | (5) |
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Characteristics of Melody |
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Listening Activity: Melody |
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6 | (6) |
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Listening Activity: Rhythm |
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3. HARMONY: MUSICAL SPACE |
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12 | (5) |
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The Organization of Harmony |
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Consonance and Dissonance |
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Listening Activity: Harmony |
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17 | (6) |
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Musical Texture and the Listener |
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Listening Activity: Texture |
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23 | (6) |
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Structure and Design in Music |
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Two-Part and Three-Part Form |
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The Building Blocks of Form |
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29 | (4) |
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Tempo and Dynamics as Elements of Musical Expression |
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Listening Activity: Tempo and Dynamics |
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Unit II Musical Instruments and Ensembles |
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33 | (34) |
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33 | (4) |
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Properties of Musical Sound |
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The Voice as a Model for Instrumental Sound |
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The World of Musical Instruments |
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Listening Activity: Voices |
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8. MUSICAL INSTRUMENTS II |
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37 | (13) |
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Listening Activity: Instruments |
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50 | (11) |
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Instrumental Chamber Ensembles |
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Concert, Jazz, and Rock Bands |
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The Role of the Conductor |
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LG 1: Benjamin Britten's The Young Person's Guide to the Orchestra |
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10. STYLE AND FUNCTION OF MUSIC IN SOCIETY |
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61 | (3) |
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TRANSITION I: Hearing Musical Styles |
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64 | (3) |
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Musical Styles in History |
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Part 2 The Nineteenth Century |
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67 | (144) |
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Unit III The Romantic Movement |
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67 | (10) |
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11. THE SPIRIT OF ROMANTICISM |
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67 | (3) |
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70 | (7) |
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Unit IV The Nineteenth-Century Art Song |
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77 | (17) |
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77 | (2) |
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14. SCHUBERT AND THE LIED |
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79 | (6) |
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15. ROBERT SCHUMANN AND THE SONG CYCLE |
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85 | (4) |
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16. FANNY MENDELSSOHN HENSEL AND ROMANTIC SONG |
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89 | (5) |
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Unit V The Nineteenth-Century Piano Piece |
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94 | (19) |
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17. THE PIANO AND ITS LITERATURE The Short Lyric Piano Piece |
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94 | (2) |
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18. CHOPIN AND PIANO MUSIC |
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96 | (6) |
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LG 5: Polonaise in A-flat, Op. 53 |
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LG 6: Prelude in E minor, Op. 28, No. 4 |
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19. LISZT AND THE RISE OF THE PERFORMER/COMPOSER |
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102 | (6) |
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20. CLARA SCHUMANN: PIANIST AND COMPOSER |
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108 | (5) |
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Unit VI Romantic Program Music |
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113 | (17) |
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21. THE NATURE OF PROGRAM MUSIC Varieties of Program Music |
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113 | (2) |
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22. BERLIOZ AND THE PROGRAM SYMPHONY |
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115 | (7) |
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LG 9: Symphonie fantastique |
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122 | (8) |
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A Czech Nationalist: Bedrich Smetana |
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CP 1: Music and Nationalism |
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Unit VII Absolute Forms in the Nineteenth Century |
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130 | (30) |
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24. THE ROMANTIC SYMPHONY |
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130 | (6) |
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The Nature of the Symphony |
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LG 11: Brahms's Symphony No. 3 in F major |
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25. DVORAK AS A SYMPHONIST |
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136 | (7) |
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LG 12: The New World Symphony |
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CP 2: Dvorak's Influence on African-American Art Music |
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26. THE ROMANTIC CONCERTO |
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143 | (3) |
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The Nature of the Concerto |
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Virtuosity and the Concerto |
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27. FELIX MENDELSSOHN AND THE CONCERTO |
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146 | (4) |
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LG 13: Violin Concerto in E minor |
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28. AMY BEACH AND CLASSICAL COMPOSITION IN AMERICA |
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150 | (10) |
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LG 14: Violin Sonata in A minor |
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CP 3: Women and Music: A Feminist Issue |
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Unit VIII Choral and Dramatic Music in the Nineteenth Century |
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160 | (51) |
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29. ROMANTIC CHORAL MUSIC |
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160 | (2) |
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30. BRAHMS AND CHORAL MUSIC |
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162 | (5) |
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167 | (4) |
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The Development of National Styles |
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32. VERDI AND ITALIAN OPERA |
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171 | (10) |
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33. WAGNER AND THE MUSIC DRAMA |
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181 | (9) |
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190 | (10) |
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Georges Bizet: His Life and Music |
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200 | (4) |
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Ruggero Leoncavallo: His Life and Music |
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36. TCHAIKOVSKY AND THE BALLET |
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204 | (7) |
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Peter Ilyich Tchaikovsky: His Life and Music |
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Part 3 More Materials of Music |
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211 | (22) |
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Unit IX The Organization of Musical Sounds |
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211 | (11) |
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211 | (6) |
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The Miracle of the Octave |
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The Formation of Major and Minor Scales |
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38. ASPECTS OF THE MAJOR-MINOR SYSTEM |
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217 | (5) |
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The Key as a Form-Building Element |
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222 | (11) |
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39. THE DEVELOPMENT OF MUSICAL IDEAS Listening Activity: Thematic Development |
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222 | (3) |
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225 | (8) |
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The Sonata Cycle as a Whole |
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Listening Activity: Sonata Cycle |
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Part 4 Eighteenth-Century Classicism |
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233 | (90) |
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Unit XI The Classical Spirit |
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233 | (9) |
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41. CLASSICISM IN THE ARTS |
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233 | (4) |
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237 | (5) |
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Elements of Classical Style |
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CP 5: Concert Life in the Americas: Then and Now |
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Unit XII Classical Chamber Music |
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242 | (12) |
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43. EIGHTEENTH-CENTURY CHAMBER MUSIC STYLE |
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242 | (5) |
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LG 21: Haydn's String Quartet, Op. 76, No. 2 (Quinten) |
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44. MOZART AND CHAMBER MUSIC |
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247 | (7) |
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LG 22: Eine kleine Nachtmusik |
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Unit XIII The Classical Symphony |
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254 | (23) |
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45. THE NATURE OF THE SYMPHONY |
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254 | (5) |
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The Movements of the Symphony |
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LG 23: Mozart's Symphony No. 40 in G minor |
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46. HAYDN AND THE SYMPHONY |
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259 | (6) |
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LG 24: Symphony No. 94 in G major (Surprise) |
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47. BEETHOVEN AND THE SYMPHONY IN TRANSITION |
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265 | (12) |
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LG 25: Symphony No. 5 in C minor |
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CP 6: The Composer Heard 'round the World |
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Unit XIV The Eighteenth-Century Concerto and Sonata |
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277 | (20) |
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48. THE CLASSICAL CONCERTO |
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277 | (10) |
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The Movements of the Concerto |
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LG 26: Mozart's Piano Concerto in G major, K. 453 |
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LG 27: Beethoven's Violin Concerto in D major |
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Famous Women Virtuosos of the Eighteenth Century |
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287 | (10) |
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The Movements of the Sonata |
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CP 7: East Meets West: Turkish Influences on the Viennese Classics |
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LG 28: Mozart's Piano Sonata in A major, K. 331 |
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LG 29: Beethoven's Piano Sonata in C minor, Op. 13 (Pathetique) |
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Unit XV Choral Music and Opera in the Classical Era |
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297 | (26) |
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297 | (5) |
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Mass, Requiem, and Oratorio |
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302 | (13) |
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LG 31: Mozart's Comic Opera The Marriage of Figaro |
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TRANSITION II: From Classicism to Romanticism LG 32: Schubert's The trout: Lied and Piano Quintet |
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315 | (8) |
Part 5 Medieval and Renaissance Music |
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323 | (66) |
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323 | (33) |
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52. THE CULTURE OF THE MIDDLE AGES CP 8: Music of the Muses |
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323 | (4) |
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53. SACRED MUSIC IN THE MIDDLE AGES |
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327 | (15) |
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A Gregorian Melody: Haec dies |
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The Rise of Polyphony: The Notre Dame School |
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LG 33: Gregorian Chant, Organum, and Motet: Haec dies |
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Life in the Medieval Cloister |
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CP 9: Influences on the Early Christian Church |
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Hildegard of Bingen and Medieval Religious Drama |
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LG 34: The Play of the Virtues |
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54. SECULAR MUSIC IN THE MIDDLE AGES |
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342 | (14) |
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CP 10: Opening Doors to the East |
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Moniot d'Arras and the Trouvere Tradition |
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Guillaume de Machaut and the French Ars Nova |
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LG 37: Royal estampie No. 4 |
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Unit XVII The Renaissance |
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356 | (33) |
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55. THE RENAISSANCE SPIRIT |
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356 | (7) |
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The Arts in the Renaissance |
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CP 11: When the Old World Meets the New World |
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Musicians in Renaissance Society |
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Renaissance Musical Style |
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56. RENAISSANCE SACRED MUSIC |
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363 | (11) |
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The Early Renaissance Mass |
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Du Fay and the Cantus Firmus Mass |
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The Motet in the Renaissance |
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Josquin Desprez and the Motet |
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LG 39: Ave Maria... virgo serena |
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The High Renaissance Mass |
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LG 40: Palestrina and the Pope Marcellus Mass |
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57. RENAISSANCE SECULAR MUSIC |
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374 | (11) |
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Music in Court and City Life |
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LG 41: A Burgundian Chanson: Il sera pour vous/L'homme arme |
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Monteverdi and the Madrigal |
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LG 43: John Farmer's Fair Phyllis |
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TRANSITION III: From Renaissance to Baroque |
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385 | (4) |
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Polychoral Music in Venice |
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Giovanni Gabrieli and the Polychoral Motet |
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Part 6 The Baroque Era |
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389 | (80) |
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Unit XVIII The Baroque and the Arts |
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389 | (13) |
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58. THE BAROQUE SPIRIT CP 12: Music and the Religious Spirit in the New World |
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389 | (6) |
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59. MAIN CURRENTS IN BAROQUE MUSIC |
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395 | (7) |
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Origins of the Monodic Style |
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The Rise of the Virtuoso Musician |
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The Doctrine of the Affections |
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Unit XIX Vocal Music of the Baroque |
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402 | (29) |
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402 | (10) |
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Monteverdi and Early Baroque Opera |
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LG 45: The Coronation of Poppea |
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Henry Purcell: His Life and Music |
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Handel and Late Baroque Opera |
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412 | (11) |
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Johann Sebastian Bach: His Life and Music |
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LG 47: Cantata No. 80: A Mighty Fortress Is Our God |
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62. HANDEL AND THE ORATORIO |
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423 | (8) |
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George Frideric Handel: His Life and Music |
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Unit XX Instrumental Music of the Baroque |
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431 | (38) |
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431 | (12) |
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The Rise of Instrumental Music |
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Antonio Vivaldi: His Life and Music |
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Bach and the Late Baroque Concerto |
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LG 50: Brandenburg Concerto No. 2 |
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443 | (8) |
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Jacquet de la Guerre: Her Life and Music |
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LG 51: Pieces for Harpsichord |
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Handel and the Orchestral Suite |
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65. OTHER INSTRUMENTAL FORMS |
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451 | (9) |
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Sonata, Passacaglia, and Overture |
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Bach and the Chorale Prelude |
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LG 53: A Mighty Fortress Is Our God |
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The Fugue and Its Devices |
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LG 54: Bach's Prelude and Fugue in C minor |
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TRANSITION IV: To the Age of Enlightenment |
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460 | (9) |
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The Rococo and the Age of Sensibility |
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LG 55: John Gay's The Beggar's Opera |
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Part 7 The Twentieth Century |
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469 | (221) |
TRANSITION V: The Post-Romantic Era |
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469 | (12) |
Gustav Mahler: His Life and Music |
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LG 56: The Song of the Earth |
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Richard Strauss: His Life and Music |
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LG 57: Der Rosenkavalier |
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Unit XXI The Impressionist and Post-Impressionist Eras |
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481 | (20) |
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66. DEBUSSY AND IMPRESSIONISM |
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481 | (13) |
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The Impressionist Painters |
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Claude Debussy: His Life and Music |
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LG 58: Prelude to "The Afternoon of a Faun" |
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CP 13: The Paris World Exhibition of 1889: A Cultural Awakening |
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67. RAVEL AND POST-IMPRESSIONISM |
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494 | (7) |
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Unit XXII The Early Twentieth Century |
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501 | (36) |
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68. MAIN CURRENTS IN EARLY-TWENTIETH-CENTURY MUSIC |
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501 | (4) |
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The Reaction Against Romanticism |
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69. NEW ELEMENTS OF MUSICAL STYLE |
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505 | (5) |
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The New Rhythmic Complexity |
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Texture: Dissonant Counterpoint |
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70. STRAVINSKY AND THE REVITALIZATION OF RHYTHM |
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510 | (9) |
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CP 14: Petrushka and Russian Folk Traditions |
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71. SCHOENBERG AND THE SECOND VIENNESE SCHOOL |
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519 | (6) |
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72. BERG AND EARLY-TWENTIETH-CENTURY OPERA |
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525 | (7) |
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73. WEBERN AND SERIAL TECHNIQUE |
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532 | (5) |
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Unit XXIII Twentieth-Century Nationalism |
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537 | (33) |
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537 | (16) |
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Sergei Prokofiev: His Life and Music |
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Bela Bartok: His Life and Music |
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LG 65: Concerto for Orchestra |
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CP 15: Bartok--a Roving Collector of Folk Songs |
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553 | (17) |
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Popular Music in Late-Nineteenth-Century America |
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Charles Ives: His Life and Music |
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LG 66: The Things Our Fathers Loved |
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CP 16: Music and the Patriotic Spirit |
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Aaron Copland: His Life and Music |
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CP 17: Copland Looks to the Wild West and South of the Border |
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570 | (49) |
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570 | (14) |
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Blues and New Orleans Jazz |
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Louis Armstrong and the Blues |
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LG 69: Lillian Hardin's Hotter Than That |
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Duke Ellington and the Big Band Era |
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Later Jazz Styles and Performers |
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Two Great Jazz Singers: Bessie Smith and Billie Holiday |
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584 | (15) |
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The Development of American Musical Theater |
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Rodgers and Hart and the American Musical Stage |
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LG 71: My Funny Valentine |
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Leonard Bernstein and the Broadway Musical |
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CP 19: Latin-American Dance Music |
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78. ROCK AND THE GLOBAL SCENE |
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599 | (20) |
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The Eclecticism of the 1970s |
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The Chieftains and Irish Traditional Music |
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LG 73: The Wind That Shakes the Barley |
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CP 20: The Sounds of World Beat |
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LG 74: Kangivumanga (I Disagreed), by Ladysmith Black Mambazo |
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619 | (71) |
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619 | (15) |
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The Arts since Mid-Century |
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Toward Greater Organization in Music |
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Toward Greater Freedom in Music |
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The Internationalism of the New Music |
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Other Voices of the New Music |
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CP 22: Canada's Vision for a Global Culture |
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80. THE NEW VIRTUOSITY OF THE MODERN AGE |
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634 | (12) |
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Virtuoso Women Singers of the Twentieth Century |
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Olivier Messiaen and the Postwar Era |
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LG 75: Quartet for the End of Time |
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Pierre Boulez and the French Avant-Garde |
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LG 76: The Hammer Without a Master |
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Witold Lutoslawski and Aleatoric Music |
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81. CONTEMPORARY COMPOSERS AND NON-WESTERN STYLES |
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646 | (22) |
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Multicultural Influences in Contemporary Society |
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LG 78: George Crumb's Ancient Voices of Children |
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LG 79: Gyorgy Ligeti's Etudes for Piano |
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Music from Eastern Africa |
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LG 80: Ensiriba ya munange Katego |
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CP 23: East Meets West: The Composer's Perspective |
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LG 81: Chinary Ung's Spiral |
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An Introduction to Chinese Traditional Music |
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LG 82: Abing's The Moon Reflected on the Second Springs |
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668 | (8) |
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The Technological Revolution |
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CP 24: Music and the World of Technology |
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Important Figures in Electronic Music |
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LG 83: Paul Lansky's Notjustmoreidlechatter |
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676 | (14) |
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Libby Larsen and Quotation Music |
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LG 84: Symphony: Water Music |
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Minimalism and Post-Minimalism |
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LG 85: Steve Reich's City Life |
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Coda |
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690 | |
Appendices |
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A-1 | (40) |
I. MUSICAL NOTATION |
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A-1 | (5) |
II. GLOSSARY |
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A-6 | (15) |
III. ATTENDING CONCERTS |
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A-21 | (6) |
IV. CHRONOLOGY |
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A-27 | (14) |
ACKNOWLEDGMENTS |
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A-41 | (4) |
INDEX |
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A-45 | (25) |
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A-70 | |